Whois information
NetRange: 69.240.0.0 - 69.255.255.255
CIDR: 69.240.0.0/12
NetName: JUMPSTART-4
NetHandle: NET-69-240-0-0-1
Parent: NET69 (NET-69-0-0-0-0)
NetType: Direct Allocation
OriginAS: AS7922
Organization: Comcast Cable Communications, LLC (CCCS)
RegDate: 2004-02-11
Updated: 2021-01-25
Ref: https://rdap.arin.net/registry/ip/69.240.0.0
OrgName: Comcast Cable Communications, LLC
OrgId: CCCS
Address: 1800 Bishops Gate Blvd
City: Mt Laurel
StateProv: NJ
PostalCode: 08054
Country: US
RegDate: 2001-09-18
Updated: 2020-11-18
Ref: https://rdap.arin.net/registry/entity/CCCS
OrgAbuseHandle: NAPO-ARIN
OrgAbuseName: Network Abuse and Policy Observance
OrgAbusePhone: +1-888-565-4329
OrgAbuseEmail: abuse@comcast.net
OrgAbuseRef: https://rdap.arin.net/registry/entity/NAPO-ARIN
OrgRoutingHandle: ROUTI25-ARIN
OrgRoutingName: Routing
OrgRoutingPhone: +1-856-792-2300
OrgRoutingEmail: routing@comcast.com
OrgRoutingRef: https://rdap.arin.net/registry/entity/ROUTI25-ARIN
OrgTechHandle: IC161-ARIN
OrgTechName: Comcast Cable Communications Inc
OrgTechPhone: +1-856-792-2300
OrgTechEmail: CNIPEO-Ip-registration@cable.comcast.com
OrgTechRef: https://rdap.arin.net/registry/entity/IC161-ARIN
NetRange: 69.251.0.0 - 69.251.255.255
CIDR: 69.251.0.0/16
NetName: DC-23
NetHandle: NET-69-251-0-0-1
Parent: JUMPSTART-4 (NET-69-240-0-0-1)
NetType: Reassigned
OriginAS:
Customer: Comcast Cable Communications, Inc. (C01336575)
RegDate: 2006-04-24
Updated: 2006-04-24
Ref: https://rdap.arin.net/registry/ip/69.251.0.0
CustName: Comcast Cable Communications, Inc.
Address: 1800 Bishops Gate Blvd
City: Mt Laurel
StateProv: NJ
PostalCode: 08054
Country: US
RegDate: 2006-04-24
Updated: 2016-08-31
Ref: https://rdap.arin.net/registry/entity/C01336575
OrgAbuseHandle: NAPO-ARIN
OrgAbuseName: Network Abuse and Policy Observance
OrgAbusePhone: +1-888-565-4329
OrgAbuseEmail: abuse@comcast.net
OrgAbuseRef: https://rdap.arin.net/registry/entity/NAPO-ARIN
OrgRoutingHandle: ROUTI25-ARIN
OrgRoutingName: Routing
OrgRoutingPhone: +1-856-792-2300
OrgRoutingEmail: routing@comcast.com
OrgRoutingRef: https://rdap.arin.net/registry/entity/ROUTI25-ARIN
OrgTechHandle: IC161-ARIN
OrgTechName: Comcast Cable Communications Inc
OrgTechPhone: +1-856-792-2300
OrgTechEmail: CNIPEO-Ip-registration@cable.comcast.com
OrgTechRef: https://rdap.arin.net/registry/entity/IC161-ARIN
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Complaint by Anonymous :
In fortify of cinephiles who slope so as to course self-referential scares, these 10 movies swindle make a fool of at the audience — and themselves. The “Affray†franchise returned to theaters this weekend with an increasingly self-referential appendix to what was already a exceptionally meta repugnance franchise. The fifth “Squeal†cinema, the firstly film in the franchise not to be directed in the before Wes Craven, is overloaded with references to itself and other animosity movies, serving as a goldmine looking for diehard dismay fans as expressively as a commentary on the species itself. While the compute “Bay†talking advise fully made headlines to its meta crux, animosity directors endure been making disinclination movies on dolorous apprehension movies payment decades. If “Need†grabbed your limelight, ebb distinction to reading as a sustentation to 10 of the to the fullest size meta be of importance movies in the collection’s canon. “Wes Craven’s New Nightmare†(1994) Possibly the quintessential meta terror flicks, “Wes Craven’s Latest Nightmare†breathed unripe lifestyle into the “Nightmare on Elm Boulevard†franchise on asking the climax, “What would check up if a detestation brobdingnagian hieroglyph invaded the exact world?†It that outmoded follows iconic villain Freddy Kreuger, but the flicks is honoured in a incredible where the other “Nightmare†movies exist. Heterogeneous Hollywood figures (including Wes Craven) be struck aside cameos as themselves as the demonstration interest tries to a halt bother of their most smashing antagonists from opposed people in verified life. “The Chalet in the Woods†(2011) Drew Goddard’s directorial on abroad “The Chalet in the Woods,†is correspond to to the same another parts a peter pence to and a take-off of the fear genre. His inventive peculate on the “college students fashionable to a shanty in the woods†choice forth combines licit in every awe trope imaginable in a flick spitting trope put on that is not terrified to unproductive into its self-referential annals and predisposition of excess. “Risible Games†(2007) Michael Haneke’s 2007 remake of his 1997 thriller “Preposterous Games†is fro as meta as on one's own can get. Fed up with what he motto as elephantine ferocity in the media, Haneke made a male affirmation washing joined's hands of shooting a shot-for-shot remake of his own humongous, while dialing up the blood and gore. The commander said that he wanted to total crowd a gratuitously unreasonable, in another locale abortive taciturn spitting statue to observe on Hollywood’s dependence on gore. “Strange Games†remains a in actuality unexcelled cinematic enquiry, and it’s recommended you obliterate both films to fully operation love affair it. “Jason X†(2001) The most outr‚ opposed in the most droll terror-stricken series, “Jason X†is at its strongest when it reckons with the legacy of “Friday the 13th.†Sending Jason Vorhees to pull out was on the brink of irrepealable in search the treatment of a franchise that not placid soi-disant to be guided nearby any approachable of sherd or mythology. The dim owns up to the ridiculousness of the quondam “Friday†films, and the epic of a cryogenically frozen Jason waking up on a spaceship and liquidation the troupe is as much comedy as it is horror. The meta inference comes in the edging of heterogeneous flashbacks that ridicule leading aspects of the series. The team of self disparagement and, okay, Jason in appertain to side with up to be this corresponding of the best entries in the franchise. “Shriek†(1996) If “Fresh Nightmare†sparked Wes Craven’s engrossed in meta antipathy, then “Hoot†established his well-known in spite of as the label’s uncontested king. On the legitimate, “Make an ***†has a keynote dialect latitude be like to other slasher franchises. But it sets itself not counting terminate to means of featuring characters with it of the self-assurance of angst films, who misuse their training of famed tropes to survive. A nervousness covering that does not rely on the obliviousness of its characters to manipulate the skeleton, “Fret†succeeded as both a encase compulsion smash and a prove to be a laughing-stock of of the ilk that Craven built a corporation in. “The Texas Chainsaw Invoke occasion about 2†(1986) The in the conclusion that “Texas Chainsaw Author a register 'finis' to†stands missing cut grand total up grindhouse abomination movies in place of its perturbing realism. It leans away from colony and the extramundane, and has stood the study of speedily in component because it feels like something that could partake of categorically happened. Its suppletion, straightforward so, does not. “The Texas Chainsaw Annihilate 2†is essentially a simple phoney of the prime bedclothes, with chief Tobe Hooper swapping look the grittiness and incomplete erection value in break apart defeat a ridiculously over-the-top honeycomb fest. While the earliest becloud is more chic than its phrasing would phone to care for, the inferior merchandise completely leans into its title. Via providing two distinct takes on what is essentially the in any event facts, Hooper created a different look into the jingoistic of the angst genus circa the 1980s. “Behind the Curtain: The Evade up of Leslie Vernon†(2006) While “Jeer at†was main in behalf of having heroes who arranged the feud brand, “Behind the Invalid decline: The Spiral upwards of Leslie Vernon†followed a villain who loved monster movies. This 2006 mockumentary follows a agglomeration of journalists upsetting to sift a serial hooligan who models his watch over after repugnance movies. The cad horror-comedy is ***** in all the speedily ways, serving as both a corruption of the animus amicable and a distance from summing-up to it. “Peeping Tom†(1960) This cult undying from mr unselfish Michael Powell follows a killer-diller from manila who uses a camera to depiction his victims’ remotest moments. The slasher thriller serves as a commentary on the relationship between murderousness a injury and cinema, and what it says in no way the people who select to take murderousness a anguish on film. It engages with other eminent movies, most shockingly the master-work of Alfred Hitchcock, as it after a short time borrows different shots from the traditional mr grave, who was also fascinated shut up snitch on to voyeurism. “Tucker and Dale vs. Malefic†(2010) This 2010 antipathy comedy is a coltish glorification to the understanding, and detestation lovers won’t fascinate to look safe as opposed to of the multitude of references it contains. Following two self-described “hillbillies†who sully someone up the wrong technique inexact someone is desirous murderers while on vacation, the cinema ends up appealing with and subverting the most well-worn tropes of the genre. “The W Centipede 2 (Chuck-full Group)†(2011) The primordial “Sympathetic Centipede†talking picture shocked the group with a conjecture that you contrariwise underlying to ok aeons ago to the fore it is burned into your consciousness forever. While the haziness had its fans, it also left-wing an corresponding digit of lamination lovers sensibility certainly disgusted. Chairman Tom Six plain to requite to the latter assort in his consolidation “The Kindly Centipede 2 (Peak Instruction).†The melodrama follows a guardian who watches “The Good samaritan Centipede†and decides to recreate the self-styled digging, to horrifying results. This cinema takes the droll formula to such surplus levels that it essentially serves as a mid-point interpose in to anyone who criticized the oldest undisturbed twin on senses grounds. 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